| File Name ↓ | File Size ↓ | Date ↓ |
|---|---|---|
| Parent directory/ | - | - |
| 2014-03-12.rms/ | - | 2014-May-30 19:12 |
| CPAN/ | - | 2026-May-08 16:33 |
| LDP/ | - | 2021-Apr-16 04:05 |
| almalinux/ | - | 2026-Mar-05 04:35 |
| apache-dist/ | - | 2026-May-02 01:14 |
| armbian/ | - | 2022-Jan-27 08:19 |
| blender/ | - | 2024-Dec-18 13:21 |
| download.xpud.org/ | - | 2014-Jan-18 20:21 |
| fdroid/ | - | 2021-Apr-19 16:56 |
| gimp/ | - | 2024-Oct-25 20:19 |
| gnu/ | - | 2026-Jan-21 19:58 |
| jenkins/ | - | 2026-May-08 18:28 |
| lyx/ | - | 2026-Feb-21 16:43 |
| mariadb/ | - | 2026-Apr-01 20:50 |
| mirror/ | - | 2026-Mar-12 00:49 |
| nongnu/ | - | 2026-Feb-16 16:09 |
| peppermint/ | - | 2023-Dec-06 12:32 |
| qtproject/ | - | 2022-Jan-27 22:18 |
| raspbian/ | - | 2026-May-08 10:57 |
| ubuntu/ | - | 2026-May-08 21:34 |
| ubuntu-cdimage/ | - | 2026-May-08 17:56 |
| ubuntu-ports/ | - | 2026-May-08 16:56 |
| ubuntu-releases/ | - | 2026-May-08 19:15 |
| README.html | 10.8 KiB | 2025-Aug-10 16:25 |
| mirror-ubuntu.sh | 525 B | 2021-Apr-07 12:33 |
With the explosion of vertical video for social media, Adobe introduced "Responsive Design" features in this update. This included auto-repositioning of graphics and titles when aspect ratios changed, saving editors countless hours when repurposing 16:9 footage for Instagram or TikTok.
This version placed a heavy emphasis on GPU acceleration. It improved support for AMD and NVIDIA cards, allowing for smoother playback of heavy formats like RED RAW and R3D files. For users with older graphics cards that might struggle with the 2023 or 2024 versions of Premiere, CC 2018 offers a much more stable editing experience. Adobe Premiere Pro CC 2018 12.0.0 Download
Perhaps the most celebrated feature of the 2018 release was the overhaul of the Lumetri Color panel. Version 12.0.0 introduced curved adjustments for Hue vs. Hue, Hue vs. Sat, and Hue vs. Luma. This allowed editors to target specific colors (like changing a red shirt to blue) without affecting the rest of the image, a feature that drastically reduced the need to round-trip to After Effects or DaVinci Resolve. With the explosion of vertical video for social